How an unproven, widely mocked technology scared the Soviets into ending the Cold War. ... For decades, Ronald Reagan’s Strategic Defense Initiative (SDI)—an ambitious ground- and space-based “shield” to protect the United States from nuclear ballistic missiles—has been mocked and criticized. First proposed by the president in 1983, it was immediately dubbed “Star Wars” by the mainstream media and dismissed as unscientific, infeasible and even counter-productive. The Union of Concerned Scientists, 100,000 members strong, was fierce in its opposition. The Arms Control Association declared that SDI would end arms control, while some Soviets felt SDI would end the world. Domestic critics became furious, and the Kremlin went ballistic. But while Reagan’s critics might not have taken his pet technology seriously, the Russians certainly did. Even though SDI was decades away from being implemented, if not beyond the reach of technology altogether, the threat the shield presented—along with Reagan’s dogged commitment to it—was enough to scare Soviet leader Mikhael Gorbachev into reforms that would eventually bring down the Soviet Union. In short: “Star Wars” never worked as Reagan wished. It worked even better. And I should know, because I saw it happen.
It’s clear that in addition to being one of the most gifted movie directors in the world, somehow the heir apparent to both Steven Spielberg and George Lucas, Abrams is also a superfan. ... That puts him in a precarious situation. He has inherited the one megafranchise to rule them all. Sure, this won’t be the first time Abrams resurrects a beloved Enterprise. But … this is the saga. It’s one of the things that invented modern superfandom. And this is no reboot. With The Force Awakens, Abrams is marshaling the same actors, writers, designers, and even the same composer to reanimate the characters and themes that made the original Star Wars into, well, Star Wars. He loves those movies as much as you or any of your laser-brained friends do. But when he first met those movies he was just an apprentice. Now he must become the master. ... the stakes are merely the future of the franchise that made Abrams a filmmaker; a mythology held precious by millions of people for four decades; and, oh, right, billions and billions of dollars in movies and merch over the next half century (at least). ... “More than anything, I drew on personal experiences as cautionary tales, things that I didn’t want to do again. ... I tried to not forget the mistakes I’d made, but I also tried to focus on things that I find inspiring about cinema.”