In the early 1950s, a former ad man and modestly successful children's book author published a series of illustrated stories for children in magazines like Redbook. They were short, two-to-three page spreads with stamp-sized drawings and minimal coloring. He hoped to publish them in book form but another project gained steam. ... In 1957, he published a book that became an immediate best seller, turning him into a global publishing phenomenon. By approaching learning to read as zany and fun instead of boring and dull, the book altered the children's literature landscape. His name was Theodor Seuss Geisel and the book was called "The Cat in the Hat." While some of the magazine stories eventually made it into a book during his lifetime, others never did. ... On Sept. 9, Random House will publish "Horton and the Kwuggerbug and More Lost Stories," the second collection of Dr. Seuss's forgotten magazine work. The previous volume, "The Bippolo Seed and Other Lost Stories," reached No.1 on the New York Times best-seller list when it was released in 2011. Random House is betting even bigger on "Horton," with an extensive marketing campaign and a large first print-run of 250,000 copies. "It tickles me that a whole new generation will get to read and experience these characters, some new and some familiar," said Audrey Geisel, Ted's 93-year-old widow and head of his estate Dr. Seuss Enterprises. ... Some 600 million Seuss books have sold in 17 languages and 95 countries, according to the books' publisher. Movie adaptations have grossed more than $1.1 billion world-wide
Ernest Hemingway writes in the bedroom of his house in the Havana suburb of San Francisco de Paula. He has a special workroom prepared for him in a square tower at the southwest corner of the house, but prefers to work in his bedroom, climbing to the tower room only when “characters” drive him up there. ... A working habit he has had from the beginning, Hemingway stands when he writes. He stands in a pair of his oversized loafers on the worn skin of a lesser kudu—the typewriter and the reading board chest-high opposite him. ... He keeps track of his daily progress—“so as not to kid myself”—on a large chart made out of the side of a cardboard packing case and set up against the wall under the nose of a mounted gazelle head. The numbers on the chart showing the daily output of words differ from 450, 575, 462, 1250, back to 512, the higher figures on days Hemingway puts in extra work so he won’t feel guilty spending the following day fishing on the Gulf Stream. ... This dedication to his art may suggest a personality at odds with the rambunctious, carefree, world-wheeling Hemingway-at-play of popular conception. The fact is that Hemingway, while obviously enjoying life, brings an equivalent dedication to everything he does—an outlook that is essentially serious, with a horror of the inaccurate, the fraudulent, the deceptive, the half-baked.
Before he became a novelist, Matthews spent 33 years in the Operations Directorate, the clandestine wing of the CIA. For three decades he was undercover overseas, collecting secrets to help America fight the Cold War and the global war on terror. He began as a junior case officer pounding the streets of Iron Curtain-era Europe and rose to be chief or deputy chief at seven different CIA stations, winning a vaunted Intelligence Medal of Merit along the way. There’s a long tradition of British novelists — le Carré, Fleming, Cumming — with real-life intelligence backgrounds. But Matthews is the only American spy writer who spent most of his life as a spy. ... "Espionage is the world’s second-oldest profession. And what it has in common with the first profession is: Someone’s going to get it in the end." ... "You can tell a lot about a person from the way they eat," Matthews says, digging in. The way they hold their knife and fork, how well they hold their liquor. It’s all part of what he calls "opening the human envelope" — the psychological process of getting to know a potential source and exploiting his vulnerabilities. He says the process can take years, and the success rate is low. ... To recruit someone is to get him or her to agree to something absolutely illogical: committing treason against their country. So there is a modicum of being a little sneaky, a little manipulative, and sometimes a little cruel."
Now that she has sold nearly six million copies of “The Life-Changing Magic of Tidying Up” and has been on the New York Times best-seller list for 86 weeks and counting, she was taking the next logical step: a formal training program for her KonMari method, certifying her acolytes to bring the joy and weightlessness and upward-pointing trajectory of a clutter-free life to others. ... In order to be considered tidy, you must have completed the method outlined in Kondo’s book. It includes something called a “once-in-a-lifetime tidying marathon,” which means piling five categories of material possessions — clothing, books, papers, miscellaneous items and sentimental items, including photos, in that order — one at a time, surveying how much of each you have, seeing that it’s way too much and then holding each item to see if it sparks joy in your body. The ones that spark joy get to stay. The ones that don’t get a heartfelt and generous goodbye, via actual verbal communication, and are then sent on their way to their next life. ... One woman in my group who had finished her tidying, Susan, expressed genuine consternation that a bunch of women who wanted to become KonMari tidying consultants hadn’t even “completed tidying!”